Some experts said the strain may notbe as deadly as some other strains of coronavirus such as Severe AcuteRespiratory Syndrome, which killed nearly 800 people worldwide during a 2002/03outbreak that also originated from China. Health authorities around the worldstepped up screening and the World Health Organization (WHO) called a meetingon Wednesday to consider declaring an international health emergency. The number of known cases more thantripled on Monday to 223, mostly in the central city of Wuhan where theoutbreak began but also in Beijing and Shanghai, Chinese officials said. Therewere also two in Thailand, one in Japan and one in South Korea. The virus can cause pneumonia, withsymptoms including fever and difficulty in breathing. Little is known about the new virus,including its origin, but health authorities have confirmed human-to-humantransmission.(Reuters) A man wearing a mask reads on the subway in Beijing, China on Jan. 21. REUTERS/TINGSHU WANG Authorities are still investigatingthe origin of the virus, however, the WHO said the primary source is mostlikely animal and Chinese officials have linked the outbreak to a seafoodmarket in Wuhan. SHANGHAI – China reported a fourthdeath from a new coronavirus on Tuesday as the number of cases continued torise.
1 August 2013Archbishop Emeritus Desmond Tutu has become the latest South African to add his footprint to the Cradle of Humankind World Heritage Site in Maropeng, outside Krugersdorp.Addressing reporters after placing his foot in a wet concrete block on Wednesday, the Nobel Peace laureate said, with his trademark laughter: “I pray that it is also a step into a future where all people shall be united again by a sense of unity and ubuntu.“There is no race which is superior to the other,” Tutu said. “All of us, including those who are in Europe, deep in our sense, we are all Africans. We belong to one family, which is the family of ubuntu.“It is humbling to add my footprint, which is a footprint that takes us back into the past when all people were united by our common ancestor, who was made in the image of God. So as human beings, we belong together. If I want to be human, it can only be in relationship with other people because we are interdependent.”Tutu also took a tour of both the Sterkfontein Caves and Maropeng.Tutu ‘knew what science had yet to discover’Professor Lee Berger, who is recognised the world over for having discovered an entirely new species of hominids in Maropeng in 2008, said that although Tutu was not a scientists, through his campaign against apartheid he had been clear that all human beings belonged to one family that came originally from the African continent.“The Archbishop has been preaching ubuntu throughout the world from his early age, but as scientists we only discovered a while ago that all human beings originated in the African continent,” Berger said.Berger gave Tutu a framed photo of the skeleton hand he discovered in Maropeng, which includes the fossil discovered by his son, Matthew, when he was nine years old.By imprinting his foot in Maropeng, Tutu joined former president Thabo Mbeki and former United Nations secretary-general Kofi Annan, who became the first to donate their footprints to the site in 2002.President Jacob Zuma and Vaclav Klaus, the former president of the Czech Republic, have also left their imprints.The handprint of Nelson Mandela completes the total of former national presidents currently represented in Maropeng.Tutu’s other donationsIn February 2010, an article was published revealing that Tutu had donated some of his own cells to the human genome project to be sequenced as an example of a Bantu individual, representing Sotho-Tswana and Nguni speakers.The human genome project has demonstrated that all humans originated in Africa, and that the Khoi-San people of southern Africa are among the oldest surviving races and implicitly ancestral to all other human species.It has suggested that the common female ancestor of all living humans (called “genetic Eve”) lived around 143 000 years ago, while the common male ancestor (“genetic Adam”) lived about 59 000 years ago.This supports the so-called “Out of Africa II” hypothesis, for which there is also extensive palaeoanthropological evidence from the Cradle of Humankind World Heritage Site and elsewhere in Africa.The footprints project represents support for the belief that our ancestors walked out of Africa to populate the entire planet.Source: SAnews.gov.za
10 October 2013BMW has no plans to leave South Africa, Trade and Industry Minister Rob Davies said on Thursday morning ahead of a scheduled meeting with the German car manufacturer later in the day.Speaking to journalists in Pretoria, Davies said he had met a BMW delegation during the recent strike by workers in the country’s automotive sector, and that the company had said that it remained committed to South Africa.On recent reports in the media speculating on the company’s future in the country, Davies said he had received a letter from BMW “in which they clarified what they had said, and which they were concerned wasn’t necessary correctly reported.“What they said is that they are continuing operations in South Africa – there is no question of them discontinuing their operations in South Africa.“They did say they have the possibility of competing for an additional model in the South African operations, and they felt that that was jeopardised by the recent strikes,” Davies said.However, he said the signing of a three-year wage agreement, following the conclusion of the motor industry strike last week, would bring stability to the sector.Commenting on French auto manufacturer Renault’s announcement that it will be opening a facility in Nigeria, Davies said he had recently spoken with his Nigerian counterpart on co-operating with the west African country to develop a vehicle manufacturing industry there, with the expectation that South African auto parts manufacturers would be able to get involved.Source: SAnews.gov.za
12 November 2013 South Africa’s students are addicted to social media – but are almost unanimous that it enhances their academic and social lives, and even helps them during exam time, according to a recent study from researchers World Wide Worx and Student Brands. The SA High-tech Student 2013 research study, which was released last month, was conducted at universities and colleges across South Africa, and included interviews with 1 435 students. Well over half – 59% – said they were addicted to social media. However, only 16% fell into the “highly addicted” category, while 18% said they were “definitely not addicted”. Instant messaging (IM) had similar appeal to students: 62% said they were addicted, of which 22% said they were highly addicted to the quick fix of quick chat. However, respondents felt that this addiction was not necessarily a bad thing. While 45% of respondents said social networking and technology got in the way of their studies, only 10% said it was a constant problem. A surprising 85% said it improved their studies, with a similar proportion – 83% – believing it enhanced their social lives. Asked what impact technology like smartphones and the internet had on their lives in general, 81% said it enhanced their quality of life. “For students, social networking and the internet is not a good or a bad thing in itself, but has become an integral part of their lives,” Daryl Bartkunsky, managing director of Student Brands, said in a statement.Facebook first, then Twitter Facebook was the universal social destination for students, with 96% of respondents using it, with Twitter used by 70% of respondents. Google+ slotted into third place, at 47%, thanks to the pervasive use of Google Apps for student accounts at universities. Mxit still retained a strong user base, with 39% of respondents reporting they used it. LinkedIn, the professional network, claimed a 29% share, largely students who are nearing completion of their studies and using it for employment prospects. Instagram and Pinterest, relative newcomers to the social networking environment, attracted 16% and 15% of respondents respectively. When asked which network they would use if they could only choose one, two-thirds (64%) still cited Facebook. Twitter was in distant second at 16%, followed by Google+ with 7%, Instagram 5%, Mxit 3% and LinkedIn 3%. Only 1% favoured Pinterest.Instant messaging Among instant messaging (IM) apps, similar levels of dominance were seen, this time led by WhatsApp, which was used by 79% of students participating in the survey, and BBM, at 57%. Facebook Messenger claimed 45%, and Mxit 28%. BBM use was directly correlated with the proportion of students who used BlackBerry: 57%. Despite its fading popularity worldwide, it remained the preferred phone among students. Nokia was in a distant second place, at only 20%, with Samsung further back in third place, at 14%, and the iPhone fourth at 5%. Among other findings, the survey found that 68% of students connected to the internet via smartphones, 61% via laptops or notebook computers, 50% on desktop PCs – largely using universities’ and colleges’ machines – and 20% on tablets. This trend was driven by some institutions providing laptops and tablets to students, and low-cost financing of devices by student financial services like Eduloan.Campus wi-fi set to rule In terms of channel of access, 60% used wi-fi on campus, 40% used 3G modems, and 39% used mobile data on their phones. However, a total shift to wi-fi is expected in the next two years. “By 2015, all universities are required to be wireless, providing free internet access for students,” Bartkunsky said. “Already, the University of Johannesburg, Pretoria and Cape Town have stated that all first-year students will have to have a tablet or laptop by 2015.” World Wide Worx MD Arthur Goldstuck pointed out that the cost of mobile data was a major inhibitor for students. “A little more than a third of respondents were happy with what they pay for internet access,” Goldstuck said. ‘But 31% are unhappy with the cost and 30% don’t pay at all. For students, the move away from mobile data services is a matter of when, not if.” World Wide Worx and SAinfo reporter
We talked with the DP of The Ritual about the challenges of remote locations, mixing multiple camera formats, and technological landscape of the industry.All images via Netflix.DP Andrew Shulkind had to overcome a number of production challenges in the process of shooting the Netflix Original film The Ritual. Here’s what he had to say about the project and the state of filmmaking today.PremiumBeat: What was the process like for transporting and carrying all of this heavy production gear into the woods to shoot the film?Andrew Shulkind: You know, it is funny — I have spoken to a bunch of press, but we have never spoken about this. First of all, it was a UK production, and so there was a different kind of health and safety department that is committed to this kind of production. We are on steep mountainsides. The grips rigged a pulley system with a motor and a wench that was taking gear up the steep hill. Another thing was, of course, as you are scouting, you’re preparing people for the level of challenge they are going to have to endure. For example, This is going to be an insane cable run, or How can we land the generator easier? We are looking at Google maps to find other roads that might be nearby. We relied heavily on balloons. We also built some custom LEDs that we can use with battery power and not have to run some insane cables to get some good depth in the background.PB: You had a three-camera marriage going on between the Canon C300 Mark II, the Canon C700, and the Alexa mini. So, can you talk about combining those formats?AS: So, the C700 wasn’t available when we first started. We then had a pre-production model, a kind of prototype model that had a bunch of these Japanese characters on the outside. Even if I had access to that camera from the beginning, I wouldn’t have used it for everything we did because we were running around — we did a bunch of Steadicam and other lightweight gimbal work. That was where the C300 really killed it. I had done a movie with that camera prior, and the C200 too, and just knew what we could get out of it. I knew what was possible in terms of low light. The Alexa was something that we used all the time.PB: How was matching those cameras in the color suite?AS: It was nothing really — it was just two cameras.PB: So, what kind of advice do you have for aspiring cinematographers who are starting out or at pivotal points in their careers?AS: This is kind of a big question. I think our business is growing in a different direction. There is a big opportunity for up-and-comers like there may never have been before. Now we are kind of entering a new space which includes interactivity, and it includes mobile-first activity. The fact is that movies are not the gold standard that everyone thought they were 65-70 years ago. So, I think in terms of getting out there, getting your work seen, you have to be able to really hone your craft.PB: I think your comment about movies and content is really interesting because episodic content is becoming king. In regards to your previous comments: are you looking at pursing more episodic content, or do you want to stay with hour-and-a-half narratives?AS: Honestly, I will like to do it all. I feel more valuable doing it all. I feel more relevant doing all of those. First of all, moving toward episodic doesn’t necessarily mean it is about networks like Netflix or Amazon. I think there are players out there and platforms that we don’t even know about yet in other countries. So, there are a million ways for people to see content online — it is more democratized. I feel personal responsibility to kind of stay involved not only in that space and movies but also commercials. I think people segment too much into “I am a TV guy,” “I am a movie guy,” “I am a video guy.” Because, if a movie person is never doing episodic, if a movie person is never doing something that is in the commercial space, then the commercial space is missing that talent. It enriches you as a cinematographer and storyteller to participate in all those different ways of storytelling — they have all the same rudiments.Something that I am really finding myself doing a lot more is I speak and talk and deal with the topics addressing responsible uses of data and technology and how we have moved from being the visual, film-and-television-in-advertising business to being the experiential business. The experiential business trickles down to everything we make: the choices that we make, what choice we can make. But we are kind of entering the golden age of imaging, which will require you to surf the tide of emerging technology and being able to figure out what to integrate. There is a lot of opportunity, but I think it also requires us to bring the artistry and keep the storytelling part of the conversation.PB: So you’re becoming a proponent and advocate for creating and producing rich storytelling content with a purpose?AS: Yeah, so I was watching Planet Earth the other day, and there was some bird on Iceland that’s waiting for its mate. And there is a story of a bunch of penguins waiting and watching it. It’s just a simple story — it’s a bird moving around and anticipating something, but the edit is so tight, and it’s beautiful, and it’s shallow focus, and the color is amazing, and it’s 4k, and it is super sharp and HDR, and there’s a little story to it. You see the difference between that and just a random kind of documentary on Iceland, and it’s impressive. I think honestly it’s something that we connect to just as humans, like that’s the core thing. I don’t see people talking about that kind of storytelling so much in the brand space and the data space and only because they don’t know. Those responsibilities are usually given to the new media guy, and so a lot of time there isn’t the same attention. Not that it is a bad thing, but these new media outlets should be giving the same kind of attention to storytelling.PB: Brands are really becoming storytellers in ways they never have been before.AS: I think if we are not careful, we are going to end up with a bunch of weak content that doesn’t take advantage of the innovation we have out there.Looking for more filmmaking interviews? Check these out.Interview: Showtime Docuseries Cinematographer from The TradeInterview: 7 Filmmaking Tips for Creating Retro ’80s ActionBehind The Scenes: Crafting The Stylized Naturalism of Bomb City with DP Jake WilganowskiThe Disaster Artist: Editing A Film About Making a FilmInterview: The Director and The Producer Behind “Man on Fire”
You won’t work for “the company,” keep a low profile, work for 47 years, and collect the gold watch. Whether you work inside a big company or hang up your own shingle, you are going to have to make your own way. The idea your parents and grandparents thought was safe is now the risky advice you will ever hear.The greatest investment you will ever make is the investment you make in yourself. College might be part of that investment, but isn’t going to result in you making a lot of money when you graduate. You don’t want to leave school with debt. Work your way through school. Get someone else to pay for your advanced degree while you learn enough about the business (or whatever) to be truly valuable when you leave. Invest as much as you can in your personal development.Your income and your success are directionally proportional to the difference you make for others. The greater the difference, the greater the success.The limit of both your income and your success are the limits of your vision of yourself and of your imagination. You need to develop a giant vision and you need to dream big. Then you need to stay awake and make your vision and your dreams real.Most of the jobs you see now won’t be around in the future. The only jobs that are going to pay well are going to be the jobs you create for yourself. The primary attribute you are are going to need for these jobs is creativity. That very same creativity the educational system has tried to grind out of you.Your ability to get things done is your ability to build a network. The more people you know and the more people who know you for the value you create, the greater your success. You are not going to succeed as a solo act. You need a tribe.Your success and your income is going to be in large measure determined by your ability to sell well. You think that sales is a bad word. You’ve grown up in an era where too many believe it is impolite to make an “ask.” Your ability to get things done will be measured by your ability to sell. This is nothing new.Real success is built on character. There has never been a time when the currency of trust was more valuable. This will only grow in importance. You need to walk your talk.You are a brand. If you don’t want to be a brand, you are still a brand, just a weak one. You need to be known for the value that you create. You need a recognizable profile. You need to be easily found and you need attention.You are going to measure your success by the contribution you make. You are going to measure yourself by the impact you have had on other people’s lives. You are going to value the experiences you have had, and you are going to value meaning above all else.The rule is you are going to have to make your own rules.
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COLIN cowherd alabama walmartSince Duke’s Sweet 16 loss to Oregon on Thursday night, there’s been plenty of chatter about Duke head coach Mike Krzyzewski’s conversation with Oregon’s Dillon Brooks and his initial denial that he reprimanded Brooks for hitting a meaningless three-pointer in the final seconds to make the score 82-68. Krzyzewski apologized over the weekend for not being truthful about his exchange with Brooks but there were some who still felt disappointed with what he did. Count Fox Sports’ Colin Cowherd among them. Cowherd spoke on his show today and said he felt “bummed” that Krzyzewski lied, saying he had held the coach to a higher standard. [email protected] is really bummed Coach K lied. #HerdHerehttps://t.co/YqgW96nm4p— Herd w/Colin Cowherd (@TheHerd) March 28, 2016Does Cowherd have a point here?